Installation view of Yuri Yuan: Dark Dreams (September 7-October 12, 2022) at Alexander Berggruen, NY. Photo: Philipp Hoffmann
Yuri Yuan (b. 1996, Harbin, China) paints surrealist scenes featuring ambiguous and physically impossible figure-landscape relationships to explore existentialist themes of longing and loss. Through visual symbolism, metaphors, and magical realism, the artist explores the ways in which exterior landscapes become projections of her and her audience’s interior psychological states.
Yuan holds a Visual Arts MFA from Columbia University, New York, NY and a BFA from the School of the Art Institute of Chicago, Chicago, IL. Yuan was a recipient of the Helen Frankenthaler Scholarship at Columbia University in 2020, and Elizabeth Greenshields Foundation Grant in 2019, 2022, and 2024. She was an artist-in-residence at Silver Art Projects Residency. The artist’s work has been exhibited at Alexander Berggruen, NY; Make Room Gallery, Los Angeles, CA; Haverkampf Leistenschneider, Berlin, GE; and Galerie Rolando Anselmi, Rome, IT; among others. Her work is represented in the public collections of Columbus Museum of Art, Columbus, OH and The Museum of Contemporary Art San Diego, CA. Yuan’s work has been featured in Forbes Magazine’s “30 Under 30,” The Brooklyn Rail, Sound and Vision Podcast, Galerie Magazine, and Refinery29, to name a few. She lives and works in Jersey City, NJ.
Yuri Yuan in the studio, Silver Art Projects, New York, NY, 2025. Photo: Daniel Greer
YURI YUAN: HIDE AND SEEK
April 16-May 14, 2025
LEVITY
July 13-August 29, 2023
YURI YUAN: DARK DREAMS
September 7-October 12, 2022
YURI YUAN: RIVER FLOWS IN YOU
July 21-August 31, 2021
DALLAS ART FAIR
April 20-23, 2023
On Wednesday, April 16, 2025, Yuri Yuan ’21 opened her third solo exhibition with Alexander Berggruen, Hide and Seek.
Hide and Seek expands upon a recurrent theme in Yuan’s work: inward and outward looking. Yuan’s surrealist scenes feature enigmatic figure-landscape relationships which trouble the distinction between our internal and external worlds. What might a figure’s interaction with a seascape or a stark, snowy field reveal about the artist’s—or the viewer’s—psychology? Crafting a tenuous balance between obscurity and clarity, Yuan encourages her viewers to approach the work as the figures in her paintings approach their external worlds: seeking meaning, connection, and revelation in liminal spaces.
Yuri Yuan is included in Art in Culture‘s “Super Nova★”, introducing 47 rising global artists who deserve attention right now.
Yuri Yuan, one of the gallery’s represented artists, has so far had two solo shows there: 2022’s Dark Dreams and 2021’s River Flows in You. Alex Berggruen has admired Yuan’s work since her graduate school days at Columbia, and his enthusiasm is palpable. “Yuri is someone we’re fortunate to represent…it’s been a pleasure to work with her,” he says. “Something that was apparent to me from first getting to know her work, and something I’ve really enjoyed following, is that she has a keen understanding and eye toward art history, an appreciation for that, and a desire to make her own mark within that realm. And I really appreciate the look into the human psyche that Yuri makes with her work.” Alexander Berggruen will be bringing two of her recent paintings.
An electric fragility surrounds Dark Dreams, a solo show by Yuri Yuan ’21, at Alexander Berggruen on the Upper East Side. Yuan leaves no accidents on the canvas, this much is clear; but what is also apparent is the degree of care Yuan exacts in her works, a degree that is there to, in the artist’s words, “encourage a way of active and thorough thinking. A way of thinking, that’s what I want to be known for.”
In Yuri Yuan’s deeply affective scenes, solitary figures, often self-portraits that threaten to disappear, insistently question the nature of subjectivity and sensory perception. […] By pushing into the membrane between sleep and dream, and by presenting dreams as inseparable from reality, Yuan ferries viewers across and inducts them into new modes of seeing. With titles like Farewell, Will You Remember Me, Metamorphosis, and Resurgence, Dark Dreams contends, too, with death—the deepest of all slumbers, not a finite end, but simply another kind of experience.
Yuri Yuan: Dark Dreams at Alexander Berggruen
From an Argus-like room with multiple eyes to a knight on horseback wielding a saber, Yuri Yuan seeps her canvases with personal references that she uses to understand the psychology behind fear. Layered with intimate moments of self-discovery, the artist grants the viewer leeway for voyeurism into her private dream state, capturing them as fleeting moments. Yuan grapples with the uneasiness of memory recollection and portrays various instances of invisibility where the protagonist is alone, an outsider, or perhaps a superpower.
Through her new work, Yuri Yuan subverts the art world’s and society’s misconceptions about mental health — which threads back to her mother’s early concerns. And as part of a flourishing cohort of Asian-American female artists, Yuan hopes to be an inspiration to young aspiring creatives — who now have a growing list of names to give as examples to anyone who challenges their dreams.
Painted while Yuan listened to “River Flows in You” by South Korean pianist Yiruma, the work in this exhibition is similarly “sad but graceful,” in the words of Yuri Yuan. The paintings are often peopled by figures with their backs turned, or with their faces reflected in water or obscured by twilight, so that the overall impression is one of isolation and melancholy. Nevertheless, the artist’s overall theme is one of connection, and the growth that might occur even in seclusion.
Critic John Yau’s review of Yuri Yuan: River Flows in You for Hyperallergic explores the artist’s paintings in relation to “solitude exacerbated by the COVID-19 pandemic and the lockdown imposed on New Yorkers, not to mention the implicit and explicit racism that became a big part of every Asian’s daily life in America, and the consequent apprehension that accompanied each excursion into the city.”
“Yuri Yuan’s sense of isolation is an inescapable feature of her daily life, which she simultaneously examines and holds at bay through the act of painting. In [Yuan’s] best pieces, the merging of subject, paint, color, and light snaps into place; then the painting begins singing a sweetly mournful tune.”
I draw inspiration from many different things, like Murakami’s short stories, Bojack Horseman the animation, and existentialist philosophy, especially Camus. “Aloneness” is a common theme in my work. Rather than dwelling in the sad emotion of “loneliness,” I think of the protagonist in my work as someone who constantly reflects on their experience and their connection in this world. Many people asked if the back-facing figure is me and if these paintings are self-portraits. The answer is no, they look like me as they are made in the image of me, but they are more like a signpost, or a witness to an event, for the viewer to project their own emotion onto the narratives of the paintings. Over the past year, I have been thinking about personal loss and how they translate to global tragedy, the private grieving process juxtaposed with the bombarding and politicized news of the pandemic. I certainly do not hope to provide an answer, but to give space for the audience to process complicated emotions.
I will have my debut solo show in New York in July at Alexander Berggruen, which I am really excited about.
On the occasion of the exhibition Yuri Yuan: Hide and Seek (April 16-May 14, 2025), we’re pleased to share an essay written by writer and art critic Will Fenstermaker in March 2025. This essay appears in the exhibition catalogue Yuri Yuan: Hide and Seek, published on the occasion of the eponymous exhibition.
On the occasion of the exhibition Yuri Yuan: Hide and Seek (April 16-May 14, 2025), we’re pleased to share an essay written by art historian, lecturer, and author Dr. Ben Street in March 2025. This essay appears in the exhibition catalogue Yuri Yuan: Hide and Seek, published on the occasion of the eponymous exhibition.
On the occasion of the exhibition Yuri Yuan: Hide and Seek (April 16-May 14, 2025), we’re pleased to share an edited transcript of a conversation between Yuri Yuan and artist Rirkrit Tiravanija, which took place in April 2025. This interview appears in the exhibition catalogue Yuri Yuan: Hide and Seek published on the occasion of the eponymous exhibition.
We’re pleased to share text by Yuri Yuan in which she offers insight into the narrative, influences, and symbolism in her works included in her solo show Yuri Yuan: Dark Dreams (September 7-October 12, 2022).
Yuri Yuan’s paintings capture fleeting illuminations of loneliness, rendered in enigmatic abstracted elements and environments of disconnect. On the occasion of our exhibition Yuri Yuan: River Flows in You (July 21–August 31, 2021), we spoke with New York-based artist Yuri Yuan about her work.
Yuri Yuan: Hide and Seek was published on the occasion of the gallery’s eponymous exhibition, which ran from April 16-May 14, 2025. This catalogue features essays by Ben Street and Will Fenstermaker and an interview between Yuri Yuan and Rirkrit Tiravinija, which took place in April 2025.
